Rarely has there been an artistic statement this stirring, this staggering, this powerful. Kate NV on the 9 Things That Inspired Her Excellent New Album, Rina Sawayama on Her Wildly Eclectic and Disarmingly Personal Debut Album, Chicago Indie Rockers Dehd Tackle Life’s Cosmic Joke With Unpretentious Charm, Lomelda’s Hannah Read Is Forever Searching for Connection, product of his father’s sins cursing east Brooklyn’s soil, How Drakeo the Ruler Recorded an Amazing-Sounding Album From Jail, How Radiohead, Social Media Addiction, and the Ravages of Climate Change Inspired Kelly Lee Owens’ New Album, Porridge Radio Make Indie Rock for the Angsty Antisocial in All of Us, The Quiet Return of Fleet Foxes and Sufjan Stevens, Get to Know Amaarae, Who’s Expanding the Sound of Afropop, Destroyer’s Dan Bejar Serenades the Apocalypse, U.S. His nostalgia for reggaetón’s mixtape-era reaches its peak on “Safaera,” a crowning jewel of a record featuring elder statesmen Jowell & Randy and Ñengo Flow, with Bad Bunny’s subterranean voice bridging the past and present. 10 minute read. The Best Albums of 2020 This year was highlighted by projects from artists like the Weeknd, 21 Savage, and Megan Thee Stallion. Lauren Laverne reveals the full Top 10 of 6 Music Recommends' Albums Of The Year list for 2020. AC/DC reconvened to pay tribute to their late founding member Malcolm Young, winding up with deeply felt good-time rock & roll. As ever with late-period Dylan albums, death lurks in every corner: as a prompt for bloody, Frankenstein-ish experiments in “My Own Version of You,” a red river to be traversed in “Crossing the Rubicon,” a body who shares his bed in “I Contain Multitudes,” a nameless rival in “Black Rider.” The gravity of Dylan’s voice and the clarity of his vision allow him to address these wraiths as an equal, one with intimate knowledge of the darkness they inhabit. –Peyton Thomas, London-based tenor saxophonist Nubya Garcia made her debut album Source with the goal of exploring her roots: both her heritage as a child of Guyanese and Trinidadian immigrants, and the things that ground her as a person. Hazel English - Wake Up! With no stadiums to fill, Swift could take risks that would have previously seemed unimaginable in a discography calibrated to reach the cheap seats: work with the National’s Aaron Dessner as her principal collaborator, duet with Bon Iver, make tracks that sound like Low and the Sundays, drop an s-bomb within the first 20 seconds of the first song. Our annual list of favourite new albums is a reflection of the last 12 months within the Rough Trade community. Enough is enough. –Jenzia Burgos, On her fourth studio album, UK singer-songwriter Jessie Ware conjures the erotic frisson of the cruisy dancefloors we aren’t permitted to congregrate on while the global pandemic rages on. These are our 100 favorite albums of 2020. “If this is all that we get, so be it,” Kempf insists, a bit of wistful resignation that doubles as a mission statement for their proudly stripped-down approach. –Matthew Ismael Ruiz, Sophie Allison paints with the shades of a bruise on color theory. The most revelatory sound Haim make room for on Women in Music Pt. Margolin’s sharpened nerves are used as a weapon against her personal demons. TDF Albums of the year 2020. A confident and utterly engrossing album from a band firmly at the helm of their own creative calling. His first album of 2020, YHLQMDLG , … –Jazz Monroe, Listen/Buy: Apple Music | Bandcamp | Spotify | Tidal, “My execution might be televised.” That line and others from Freddie Gibbs’ “Scottie Beam” appeared in black marker on handmade signs this summer, held aloft in cities across the country during what may have been the largest wave of civil-rights protests in American history. The album is always enchanting and full of small surprises: the particularly cartoonish warble of a synth on “Sayonara,” the intimate binaural hums on the meandering “Marafon 15,” the burst of laughter answering the lure of a saxophone on the cosmos-traversing “Plans.” New details peek out on every listen, like elements of wonder waiting to be discovered. The harpist’s ambient compositions are somber but whimsical, submerging her careful plucks in murky pools of reverb and synth. Infinite worlds are contained within the threads of that teal yogurt shop shirt and that infamous cardigan, carving a path for the Taylor Swift Cinematic Universe to expand ever onward. The third full-length release for the Australian electronic duo features guest appearances from such artist as Blood Orange, Leon Bridges, Vashti Bunyan, Neneh Cherry, Rivers Cuomo, Perry Farrell, Karen O, Jamie xx, Mick Jones, Sananda Maitreya (formerly known as Terence Trent D'Arby), Johnny Marr, MGMT, Oroño, Sampa the Great, Pink Siifu, Tricky, and Kurt Vile. Each element, shorn of everything extraneous, glows with significance. When you buy something through our retail links, however, Pitchfork may earn an affiliate commission. Oh, and those extended guitar-driven instrumentals we know you are all drooling for? "Therapy through noise." Grimes once treated lyrics as meaningless sound, but here, she’s shockingly honest about the pain of posh isolation: “I’ll tie my feet to rocks and drown/You’ll miss me when I’m not around.” –Arielle Gordon, On Every Bad, Brighton indie rock four-piece Porridge Radio make a strong case for curative self-scrutiny. For each tart complaint (“I hate your mom”) or fatalist disclosure (“I’ve been playing dead my whole life”) is a glimmering prophecy that one day things might be just fine, even if that day comes at the very end of civilization. From K-pop albums by BTS and BLACKPINK to surprise releases by Taylor Swift and Ariana Grande, 2020 may have been a dumpster fire, but when it came to music, the year … An infectious, ambitious, raucous, riff-driven record. A list of the top albums of the year from Uncut. Now, Crutchfield gazes into the mirror and doesn’t shy away from the reflection. largest wave of civil-rights protests in American history. Best Albums of 2020 Isolation was unavoidable this year: Some albums embraced it, some raged against it, some tried to imagine a world without it. –Jillian Mapes, © 2020 Condé Nast. While some vocal lines emulate pulsing bass and celestial synth, the prevailing current is a surging chorus of near-language, struck through with the unmistakable trembles and notches of a human voice. Frontperson Alli Logout’s jagged vocals dissect poverty, love, and commodified dissent, making The Passion Of the rare contemporary punk album that is actually as revolutionary as it sets out to be. 2020 hasn’t been an ideal year, but it still produced exemplary new albums, so check out our ranking of the year’s best below. Through it all, clearer-than-ever proof emerges not just of a great band in stride, but a cultural fact: women continue making the most vital rock music now. Synth stabs that at first seem uniform take on entirely new shapes with every repetition. View Top 100 AlbumsTell us your favourites and keep the conversation going #RTtop100, And so to wrap up this most dismal of years, we offer up some of our personal album picks for 2020 from both sides of the…, It's been a pretty sh*t year, but great music has lifted us and carried us through. “I grew up in the shoes they told me I could fill, shoes that were not made for running up that hill/And I need to run up that hill, I need to run up that hill/I will, I will, I will, I will, I will,” she insists on another title track doubling as a renewed mission statement. Using only her transmuted and multi-layered vocals, the Berlin-based composer creates a dense architecture where choral music and meditative techno meet. Osees - Protean Threat14. ), Listening to Mary Lattimore’s Silver Ladders feels like blinking awake on New Year’s Day: There’s some melancholy over what has passed mixed with buzzing wonder at what lies ahead. Follow our countdown of the 50 best albums of 2020 Across the hour-long odyssey, Uzi hops between kaleidoscopic new worlds: one where it sounds like he’s skipping across a Sega Genesis circuit board, another where he’s hosting an ethereal party alongside a turnt choir. There was a lot of great music released this year. But while many were soothed by the familiar in 2020, new music was one of the simple pleasures that distracted others from the dread of this year. –Mankaprr Conteh, When Big Thief scrapped their international tour this year, Adrianne Lenker found a world of her own in a cabin near the Berkshires of Western Massachusetts. AllMusic's Highest Rated Albums of … –Alphonse Pierre. Fetch the Bolt Cutters is the sound of someone freeing themself from a mental prison built by others but unknowingly reinforced by the self. –Simon Reynolds, Listen/Buy: Apple Music | Spotify | Tidal, The opening notes of Lyra Pramuk’s debut album, Fountain, are like a slow tracking shot through the gates of a musical Atlantis. Girls on the Absurdist Meme, Anti-Colonial History, and Soul Records That Inspired, Phil Elverum on the Song He Wishes He Wrote, A Day in the Life of Bad Bunny, Introverted Superstar, Jessie Ware Explains Why This Smoldering Alicia Keys Ballad Is Her Personal Anthem, Phoebe Bridgers on the 10 Things That Influenced, Moses Sumney Is Ready to Claim His Spotlight, Fiona Apple on How She Broke Free and Made the Album of the Year. If you'd picked up a pen at the end of last year and listed the things to look forward to in 2020, you'd have been spoiled for choice. –Madison Bloom, Ka has spent his 40s laboring over how to animate the ghosts of his home. Wait up, is that disco I hear? Here are the 50 best albums of a year unlike any we can remember. Dream-sequence strings float atop dissonant shudders; Sumney’s voice transfigures mid-run like a stage trick, his falsetto a sudden flapping dove; he sings about being between polarities of desire and identity as if to lay claim to both at the same time. That’s why her album Punisher is one of my albums of the year. The Quietus Albums Of The Year 2020. He does a lot more of whatever he wants throughout the rest of the record—from sad boi trap to acoustic rap balladry to emocore—but not without first celebrating those who made it all possible. The fact that Melee conjures a year so different from the one we got is part of why it leaves such a mark: The histrionics of emo aren’t just dramatic, they’re now science fiction. Let’s face it: listening to new music wasn’t exactly easy this year. Still, without question, it’s Garcia’s performances and curatorial instincts that make this such a powerful statement of self. 50. Alfredo, the dexterous 38-year-old MC’s collaboration with beloved producer the Alchemist, is by turns heavy and light—his “Beam” verse ends with a rude kiss off to an ex in the form of Jordan-Pippen wordplay: “without me the bitch wouldn’t have got a ring.” More than a time capsule, Alfredo is an unruly feast of language. –Andy Cush, Produced while Drakeo the Ruler was awaiting retrial in Los Angeles on a bogus gang charge, Thank You for Using GTL is punctuated with robotic warnings from the extortive inmate phone service over which it was recorded. –Amy Phillips, Historically, there are two trajectories from sweetie childhood star to flawed adult: the bumpy one full of high-profile foibles or the one where they wind up as robots. Led by a keening riff lifted from Uriah Heep’s “Weep in Silence,” Tumor and singer-songwriter Diana Gordon supplicate to a lover over walls of electric guitar and pummeling drums. Within these entrancing soundscapes, stray ruminations float to the surface. The 50 Best Albums Of 2020: 50-41 / 40-31 / 30-21 / 20-11 / 10-1 –Jia Tolentino, From her early punk recordings alongside sister Allison to her quietly devastating solo albums, Katie Crutchfield is always steadfast in her truth. FTW's top 20 albums of 2020. But Sawayama is not only a love letter to the pop music Rina (and I) grew up hearing on promo CDs that came with Smash Hits Magazine, it is an anxious exploration into her own multi-cultural identity, and the technicoloured and composite nature of our own personalities. He isn’t pining for the good old days; he is reacclimating himself in the present, poking holes in the very idea of nostalgia and showing how memories live on. Inner Song is club music at its most spiritual. We count down to number one, with entries from Soccer Mommy, Run The Jewels, HAIM and Moses Sumney ... Whatever your taste, the best 50 albums from this year … Rather than muddling her meaning, this single instrument’s ambiguity—of feeling, timbre, gender, even species—suggests a state of perpetual transformation. She recorded the album with Slowdive’s Neil Halstead at his studio in the coastal English county of Cornwall, and cites the quiet minutiae of seaside life—cream tea, a pub quiz, the Sunday roast—as inspiration for the music. Descendants of Cain’s frosty tone evaporates in its final minutes: “I Love (Mimi, Moms, Kev)” is Ka’s dedication to the people who saved him. Heaven to a Tortured Mind balances listeners on that knife point, declaring Tumor’s rock-star bona fides with roguish style. For all its gentleness, it is an album of deep resolve, unshakable in its commitment to the idea that a better world is possible. It makes sense that the album gave them their biggest hit, the highly boppable “Do It.” While it feels like the duo shot up overnight and out of sight, their rise parallels the way the world has been living this year: inward and on an insomniac’s circadian rhythm. Writing with more personality and candor than ever about a range of difficult themes—depression, loss, misogyny, the complications of loving on one’s own terms—they’ve also loosened their taut pop rock just enough to breathe more life into it, incorporating the ‘90s Lilith rock of Sheryl Crow, the blue-skied strums of Wilco, and a groovy Lou Reed interpolation. December 18, 2020 9:00 am. On his first collection of original material in eight years, he sounds unusually attuned to the suggestive power of his craggy instrument, using small changes of inflection to convey wry self-mockery, roaring prowess, and a certain uneasy nostalgia. Somewhere between the abrasion of its searing riffs and melodic incantations, Every Bad is a soul-cleaning album that drenches you in the multifaceted nature of a lyric that evolves when hurled over and over again. –Paul A. Thompson, For years, Matmos’ Drew Daniel used his solo project the Soft Pink Truth to join his disparate interests, reimagining punk classics and black metal as squirrelly glitch techno. Uncut's 75 Best Albums of 2020. Like a gluttonous heart who must purge and expel its emotions in order to gorge again. You air-drum the little hitch in “Fox” again and again across your steering wheel; you throw your chest forward in your home-office at all the perfectly executed half-time breakdowns; you do isometric lunges while Stoitsiadis sings about disintegrating. –Alphonse Pierre, Dua Lipa’s second studio album is anchored by popular sounds of the past, but it’s less attached to a memory than the promise of a feeling. As she glissades through disco synths on “Love Again,” talkbox funk on “Levitating,” and electronic dance rhythms on “Hallucinate,” the British singer effortlessly fuses styles without resorting to forced formulas. Meditative songs sit alongside pacy, beat-driven odes. By now, Drakeo has been released from jail, making GTL a testament to resourcefulness that will hopefully remain an anomaly in his catalog. In February, it was a memorable yet conventional 20-track Atlanta rap album. They've done it again. “Oh, emptiness/Tell me about your nature,” she sings on “zombie girl.” While songs mostly consists of Lenker’s silvery vocals and brambled acoustic guitar, and instrumentals turns toward fingerpicked meditations and wind-chime drones, both sound like nothing so much as the rustic abode that Lenker has likened to “the inside of an acoustic guitar.” These records put you right inside that hollow. Working Men’s Club - Working Men’s Club20. In the companion short film, he accompanies his thoughts by flipping through hundreds of old photos, adding bittersweet visual cues to the rambling narrative. A workout of sheer musical magnitude and absolutely their best yet. She turns liquid on the synth-sheathed “Time,” raps on the chaotic “Riquiquí,” and glitches with her voice pitched high on “Rip the Slit.” Presented as the first of four eventual albums, KiCk i shares all the promise of becoming, in both its pain and its joy. For their exquisite follow-up Flower of Devotion, Dehd upgraded to a proper studio, refining their gritty alchemy without scrubbing it too clean. Buy now on Rough Trade Exclusive galaxy vinylBonus Exclusive: Copycat Killer 12". The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. She sings like no one else in indie rock, as though she is guided by a golden energy from within. –Ross Scarano, Megan Thee Stallion’s official debut album is a triumphant joyride that more than fulfills the promise of its title. Close friends and peers contributed voice, reeds, percussion, and piano; the album’s nine tracks shift from airy drones to richly rendered deep house, from lyrical etudes to propulsive classical minimalism. But the raw energy of Apple’s voice is the album’s life force, and there’s no mistaking the subjects of her missives—be it the men who refuse to recognize their abusive behavior; the women who, like Apple, were conditioned to compete with other women; the mean girls and those who called their bullshit; the users and the silencers; the people she fears will leave her. Songwriter and bandleader Meg Remy reckons with alienation and injustice, drawing on a palette of pop, rock, and experimental sounds to convey the anxiety of the era. We gave the old list thing a miss last year as there are so many to choose from. The 50 Best Albums of 2020 The albums that got us through this chaotic year, featuring Fiona Apple, Bad Bunny, Lil Uzi Vert, Phoebe Bridgers, and more By Pitchfor k Buy now Bonus Exclusive: IRL Live in London 12" on orange vinyl. To revisit this article, visit My Profile, then View saved stories. … Inner Song’s palette of pulsing basslines, swirling synths, and visceral found sounds draws influence from the practices of the sound-healing community: sound baths, shamanic drumming, and voice work. Where on his debut album Sumney lingered on lack and absence, on græ he delivers effulgence and multiplicity with a shapeshifting swagger. III is themselves. Share this article 189 shares share tweet text email link FTW Staff. 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